The Daily Telegraph is in the middle of a 20-week serialisation of an online book created by author Alexander McCall-Smith, his first such project. New Media Knowledge caught up with the organisers to discuss ‘Corduroy Mansions’.
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moreA social network aimed at providing information for ex-pats living in London has been established. New Media Knowledge met the site’s co-founder to find out more.
moreLinkedIn, the social network for professionals, launched its LinkedIn Intelligent Applications (InApps) platform this week, which the company says will make business-focussed applications available to its 30 million-plus users. more
With print circulations down and online advertising revenues not matching up to what has been lost in print formats, can the UK's newspapers weather the coming storm? Leading industry figures met at NMK's event on October 28, 2008 to debate the best way forward. Event chaired by Nico MacDonald. more
Despite stories of economic woe, Barclays Bank still predicts 380,000 business start-ups this year and 350,000 in 2009. New Media Knowledge spoke to one self-starter who aims to build what he says will be the premier social network for entrepreneurs in the UK. more
To help him reach his wide fan base, singer-songwriter Luc Floreani recently turned to online 'virtual' world, Second Life, to perform. He spoke to New Media Knowledge about his experience. more
The industry received a welcome boost this week with the news that Internet advertising revenues rose significantly in the first half of 2008, despite tough economic conditions. NMK quizzed the industry on what we can expect for the next year. more
Fantastic. Prince gave away his new CD for ‘free’ with a national newspaper, former Kinks frontman, Ray Davies, is soon to follow and Radiohead recently invited you, Joe Public, to decide precisely how much (or not), to pay for the digital release of their latest oeuvre, In Rainbows…
This seminar has been produced in association with CIDA, the East London Business Development Agency. This event is open to all, with engagement particularly encouraged from trading companies and individuals from black and ethnic minority backgrounds. Please note that pre-event registration is essential to access this FREE event. and that booking for the event can ONLY be made through contact with CIDA.
For more information, please email or call Jessica Green on 020 7247 4710. Registration forms maybe downloaded from www.cida.co.uk
SPEAKERS
Panel:
Kieron Concannon, MD, FDM Records
Andrew Dubber, newmusicstrategies.com
Guy Parsons Digital Strategist & Game Designer
Davey MacManus, Artist, The Crimea
Moderator: Ghizela Rowe, The Copyright Group
Disabled Access: The venue is fully accessible has facilities to accommodate those with special needs. Please contact if you have specific requirements.
TOPIC
Leaving aside the finer details of a recent spate of headline-grabbing announcements on the subject of giving music away for free, these examples are the result of some clever thinking by artists who are using ‘free’ music as a promotional tool to stir up press interest and sell consumers other related products, be it concert tickets, merchandise or in the case of Radiohead, a premium physical release of the same album at a later date.
But what does this mean for artists who aren’t household names, who don’t have a lineage of best-selling records or a fanbase to match?
Recent history shows that it can be done - UK indie band The Crimea hit the headlines earlier this year having made a digital copy of their 2nd album, The Witching Hour, available as an entirely free download. Remember Nizlopi’s JCB song, Christmas ‘05? Encouraging unfettered downloading and sharing of their video was a crucial factor in the song’s success. Then there’s the Arctic Monkeys, whose rapid rise to fame was greatly helped by Internet distribution of free downloads of the band’s pre-label demo CDs. But these are the exception, not the rule and in terms of PR, the law of diminishing returns will always apply.
Can and should ‘free’ be part of the plan for today’s emerging artists, labels, managers and small music companies. Is it viable or indeed advisable to give music away and if so, how can it be done in a way that doesn’t compromise artists’ income, integrity or longevity?
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